Stilllive 2024 will present the flow of movement embodied by the bodies of multiple artists as an installation and performance based on the concept of "Kinetic Net," a performance space constructed with movement, light, and sound. Kinetic Net is an image of actions and movements created by a web of light. The first half of the exhibition will be an installation constructed with body movements, light, and sound, while the second half will be a performance using a fish finder to respond to the raw dynamism flowing in the city. What Stilllive poses through these expressions is a questioning of the hierarchy of life. Humans have a history of capturing not only animals but also humans (prisoners of war, human trafficking, prisons, etc.), and the neoliberalism and surveillance systems that are products of modern society instead manage and control our own behavior. In this performance, Stilllive seeks to explore the meaning of physical expression as close to life as possible, while questioning the conditions of bondage/liberation and control/freedom of such (non-)visible bodies. The performance invites artists active in the field of contemporary art and performing arts, such as Mayuko Inui, Mai Endo, Yuki Kobayashi, Marina Lisa Komiya, Towako Sano, Shin Hanagata, Karu Miyoshi, MES, and Taku Yoshida, to collaborate in a dialogue and workshop-based production. MES, who will be in charge of spatial composition as well as performance, will use laser light and sound to create a living installation where play and meditation coexist. Each artist is like a gathering of small fish swimming in and out of a net of light, swimming freely through the space, gradually coming together and then separating. Through this ambivalent play of capture/being captured, the performance presents a dynamism of the body that is uncertain, yet always vividly alive.